A Suite for Ten Habitable Planets

by J S-Horseman

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	1.	Call 06:51
	2.	A Second Call 05:36
	3.	Transmission A 03:48
	4.	Psalm 07:10
	5.	Transmission B 03:20
	6.	Air Part I 04:52
	7.	Air, Part II 06:36
	8.	Kaddish 10:10
	9.	Precession of Blue Celsius Radio Particles 06:52
	10.	Gliese's Bolero 07:55

about

A call with a series of responses to and from unreachable celestial bodies fashioned a path of sculpted airs.

Initially inspired from NASA’s 2017 discovery of 7 possibly habitable Earth-size planets, the composing of "A Suite for Ten Habitable Planets" began that year and reached its completion in May 2019. Playing with a broken radio receiver and shoebox tape recorder sparked the fantastical desire to transform into a radio wave to escape from a current physical state, and travel to distant, unfamiliar spaces.

This series of ten dissociative, sculptural airs assigns symphonic characteristics to various experimental microphone recordings, fractured liturgies, the human voice, analog synthesizer, the noise spectrum (blue, white, pink, brown) and percussive bursts from a broken radio receiver. The original layers of recorded material were patiently reformed and glued together through processes of recording and re-recording with tape, lathe cut vinyl and digital manipulations (three distinctly different sonic worlds) which slowly transformed them into subtly rhythmic, densely colorful, and textural habitats.

credits

released June 5, 2019

Composed and Recorded by Jeremy Santiago-Horseman (JS-Horseman)

Mastering by Raffael Pezzella (Sonologyst)

Musicians:
Soprano Voice, Kirsten Marsh & Megan Murphy
Tenor Voice: Robert Dunlap
Baritone Voice: Ezry Santiago-McRae
Violin: Shelby Dems & Dylan Jackson
Viola: Sara Potocsny

Cover Art: Jeremy Santiago-Horseman

©JS-Horseman

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about

J S-Horseman Lancaster, Pennsylvania

Sound Artist/experimental composer, visual artist, JS-Horseman (Jeremy Santiago-Horseman) works with microphone recording, modular synthesizer, and traditional instrumental composition. His work is deeply influenced by Musique concrète , spatial minimalism, and a variety 20th Century orchestral music. Horseman's process is mainly focused in the mediums of magnetic tape and and vinyl record. ... more

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